Coverage
Two hours, half day, full day or multiple days.
Video Production
Choose the event coverage and outputs you will actually use. We plan the crew around your agenda and confirm every deliverable in writing.
Two hours, half day, full day or multiple days.
Recap, clips, interviews or selected sessions.
Extra rooms, AV, livestreaming and slides.
| Coverage | Good for | Usually delivered |
|---|---|---|
| Short coverage, up to 2 hours | A ribbon cutting, a launch, a keynote, an award moment | A 60-second reel, typically the next day; your proposal confirms timing |
| Half day, up to 5 hours | A morning program, a workshop, a networking event | Scoped to the outputs you choose below |
| Full day, up to 10 hours | A one-day conference or summit | A 60–90 second recap and 5 short social clips, plus anything else you add |
| Multi-day | Conferences and conventions | Daily coverage scoped day by day |
Extra hours can be added to any coverage. If two things happen at once, like two rooms or a stage and interviews, you'll need a second camera operator.
Not included unless it's in your proposal:
Recaps, clips and sessions: which outputs you'll actually use
The moments and people that matter.
Access, overlaps and camera operators.
A clear owner for revision notes.
| Item | Why it matters |
|---|---|
| The run of show, with room names and times | So the crew is in the right place for the moments that matter |
| A list of must-capture moments and people | Keynote, award, sponsor, VIP: we plan positions in advance |
| Your AV contact | Clean speaker audio usually comes from the venue's sound system; we plan the connection ahead |
| Access and parking for the crew | Badges, load-in times and where gear can stay |
| Who signs releases | Speakers and interviewees sign before they're filmed |
| One approver after the event | One person collects feedback for each revision round |
Coordinate the source with the AV team.
Plan the room and recording method.
Venue sound operation is separately scoped.
A recap can run on music and atmosphere. A speaker session can't: if the audio is bad, the video is unusable. When sessions are part of the brief, we plan the audio with your venue's AV team: a feed from their mixer, our own microphones, or both. We don't run the venue's sound system, and we tell you before the event if a room can't give us clean audio.
Date, venue, crew and written outputs.
Follow the agreed shot plan.
Two rounds; final files after full payment.
Corporate clients who pay on net-30 terms still pay the deposit before the event. Travel beyond our local service area is quoted as its own line.
Events & conferences
Camera positions, clean audio from the sound desk and the clips you need are planned before the doors open.
Scope, rights and timing, before the shoot.
As early as you know the date. Events cluster on the same weeks, and venues often need vendor paperwork before load-in. If your event is on public property, a city permit can also take time.
Yes, with a second camera operator. It's a separate line, billed by the hour with a 4-hour minimum, and the extra editing is its own line too.
Final edited files are included. Raw footage is available on request for a fee.
Yes. After full payment, your license covers any business use, including promotion and sponsorship decks. Music is licensed within its own terms.
In public parts of the event, yes; we follow your event's photography notice. People interviewed or featured on camera sign a release first.
Livestreaming isn't included. Ask on the call if it matters, and we'll tell you honestly whether we can cover it or should refer you.
It usually does. Tell the crew lead; we adjust positions to keep the must-capture moments covered. Big changes that add time or outputs are scoped as extras.
Tell us the goal and where the content will be used. A 15-minute call comes before your written proposal.